- Romance on the Early Modern Stage
- Specialist Markets in the Early Modern Book World
- Manuscript Studies: Bibliography (Early Modern Book Culture)
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People were in a curious predicament: they practiced consumption on a mass scale but had few acceptable reasons for doing so. In the literary marketplace, authors became adept at accommodating such contradictions fashioning works that spoke to self-divided consumers: Thomas Nashe castigated and satiated them at the same time. William Shakespeare satirized credit problems.
Romance on the Early Modern Stage
Ben Jonson investigated the problems of global trade, and Robert Burton enlisted readers in a project of economic betterment. David J. Baker is Peter G. Baker's arguments are all valuable ones and his reading represents a fascinating and insightful contribution to scholarship on Troilus and Cressida. Baker in On Demand brilliantly demonstrates how new marked operations and entrenched moral principles interacted and were discussed.
It offers new ideas and questions on consumer practices; more importantly, it is likely to provoke new questions about social and economic conditions in early modern England and their representation in some important literary texts.
Highly recommended. Castaldo, Choice. Paths to Reform: "Things New and Old. David Lyle Jeffrey. TextManuscripts 3.
Specialist Markets in the Early Modern Book World
Paris and New York: Les Enluminures, Christa Canitz and Andrew Taylor. One result was the production of fourteen translations from Latin and French, twelve of medieval and two of humanist origin. Discussing all fourteen translations, this article proposes an overview of the varying ways in which translation, publishing, and gender were closely intertwined. The source texts, spanning almost four hundred years, varied in provenance, style, and genre and appealed to different audiences.
The translating methods used are equally varied, but all owe something to what Sheila Delany calls 'the literature of sexual politics. English in Print from Caxton to Shakespeare to Milton. Lavishly illustrated with more than full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries.
Valerie Hotchkiss and Fred C.
- Gifts for My White Lighters?
- From Manet to Manhattan: The Rise of the Modern Art Market?
- The Death of Lomond Friel.
- Break Time.
The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue , beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of Studies in Book and Print Culture. Toronto: University of Toronto Press, Shakespeare and the Book. The iconoclastic impulse that sparked these attacks however, proved remarkably productive, generating a profusion of theological, polemical and literary writing from Catholics and Protestants alike.
The Incarnate Text tells the story of how this crisis of the book helped to change the way the modern world apprehends both texts and things. Reading in Tudor England. Pittsburgh Series in Composition, Literacy, and Culture. Pittsburgh: University of Pittsburgh Press, Before the King James Bible. TextManuscripts 2. Publishing Pathways. Material Readings in Early Modern Culture.
It singles out and examines nine factors that increased the possibility of a girl receiving a humanist education; each modifies the notion of humanism exclusively as preparation for men in public life: 1 It helped to be royal. Madison: Fairleigh Dickinson University Presses, Print Culture and the Early Quakers.
Margaret Patterson Hannay. Cheap Print in Britain and Ireland to Oxford History of Popular Print Culture 1. This collection of essays examines the developing role of popular printed texts in the first two centuries of print in Britain and Ireland. Sowerby; "," Cathy Schrank; "," Jesse M. Philadelphia: Pennsylvania State University Press, In the s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define 'liberty and property.
- Perfect Party Games;
- On Demand: Writing for the Market in Early Modern England | David J. Baker.
- Lyon on a Leash;
- Secular Spirituality: Reincarnation and Spiritism in Nineteenth-Century France.
- Blessings of Death;
- Mysterious Seed: Maturing in Fathers Love.
Robertson offers a richly detailed study of this 'censorship contest' and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced--the forms and pressures of self-censorship.
Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity. New Castle: Oak Knoll, Chicago: University of Chicago Press, Anglo-Italian Renaissance Studies.
Manuscript Studies: Bibliography (Early Modern Book Culture)
It also provides a foundation for new work on Anglo-Italian relations in Elizabethan England. Mary Augusta Scott's Elizabethan Translations from the Italian forms the basis for the catalogue; Soko Tomita adds 59 new books and eliminates 23 of Scott's original entries. In an attempt to restore each book to its original status, each entry is concerned not only with the physical book, but with the human elements guiding it through production: the relationship with the author, editor, translator, publisher, book-seller, and patron are all recounted as important players in the exploration of cultural significance.
Renaissance Anglo-Italian relations were marked by both patriotism and xenophobia; this catalogue provides reliable and comprehensive information about books and publication as well as concrete evidence of what elements of Italian culture the English responded to and how Italian culture was acclimatized into Elizabethan England. Humanism, Reading, and English Literature, Humanism is usually thought to come to England in the early sixteenth century.
In this book, however, Daniel Wakelin uncovers the almost unknown influences of humanism on English literature in the preceding hundred years. Renaissance Literature: Gender Studies. While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Cheap Print and Popular Piety. Cheap print broadside ballads, chapbooks, wall hangings offers a response to this 'confrontational' model, since godly ballads and other popular devotional materials juxtapose word and image in ways that suggest gradual modification of traditional piety, rather than a wholesale rejection of previous values.
In this light, Watt suggests that print and literacy should not be viewed as 'unchanging technologies which unilaterally replaced other forms of communication. London: Harvey Miller, However, despite its initial impact, fame was fleeting: for the better part of three centuries the Bible was virtually forgotten; only after two centuries of tenacious and contentious scholarship did it attain its iconic status as a monument of human invention.
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Editio princeps: A History of the Gutenberg Bible is the first book to tell the whole story of Europe's first printed edition, describing its creation at Mainz circa , its impact on fifteenth-century life and religion, its fall into oblivion during the sixteenth and seventeenth centuries, and its rediscovery and rise to worldwide fame during the centuries thereafter. This comprehensive study examines the forty-nine surviving Gutenberg Bibles, and fragments of at least fourteen others, in the chronological order in which they came to light.
Combining close analysis of material clues within the Bibles themselves with fresh documentary discoveries, the book reconstructs the history of each copy in unprecedented depth, from its earliest known context through every change of ownership up to the present day. Along the way it introduces the colorful cast of proud possessors, crafty booksellers, observant travelers, and scholarly librarians who shaped our understanding of Europe's first printed book.